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Anthony Alofsin : ウィキペディア英語版
Anthony Alofsin

Anthony Alofsin (born on June 22, 1949 in Memphis, Tennessee) is an architect, artist, art historian, writer, and professor.〔''Who's Who in America'' - 2012, 66th Edition (pub. 2011), Marquis Biographies on Line. http://search.marquiswhoswho.com.ezproxy.lib.utexas.edu/profile/100023439524〕
Educated at Memphis Academy of Art and Phillips Academy, Andover, he received from Harvard College and the Harvard Graduate School of Design, respectively, a Bachelor Arts (1971) and Master of Architecture (1981). From Columbia University, he obtained a Ph.D. in Art History and Archaeology (1987).
Alofsin has written books on modern architecture and published numerous essays on architecture, art, and culture that have appeared in a variety of journals and reviews including ''The Times Literary Supplement'', the ''Burlington Magazine'', the ''New Criterion'', and ''American Art''. He has taught for over twenty-five years at the University of Texas at Austin.
==Publications==
He is the author of ''Dream Home, What You Need to Know Before You Buy,'' a guide for consumers buying a home in the suburbs. He wrote ''Frank Lloyd Wright, Art Collector,'' the first publication of Wright's unknown collection of German and Austrian art prints. His book ''When Buildings Speak: Architecture as Language in the Habsburg Empire and its Aftermath, 1867-1933'' won the Vasari Award from the Dallas Museum of Art .;〔(【引用サイトリンク】url= http://smu.edu/newsinfo/stories/randall-griffin-26sept2007.asp )〕 a German language edition was published by the Verlag Anton Pustet in 2011. He is editor of ''A Modernist Museum in Perspective: The East Building, National Gallery of Art.'' He is the author of ''The Struggle for Modernism: Architecture, Landscape Architecture, and City Planning at Harvard,'' the history of the Harvard Graduate School of Design from its beginnings through the 1960s.
Much of his scholarly writing has focused on issues of influence, how ideas are transmitted and transformed, on the concept of artistic transition as well as reception as an index of cultural and social meaning. He conducts a broad range of research activities including American modernism, Central European modern architecture, the history of ornament, the history of design education in architecture, landscape architecture, and city planning as well as ongoing research on Frank Lloyd Wright. He has written on the role of narrative in architecture and on the origins of regionalism in modern architecture.〔

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